Travels in Digital Romanticism

Travels in Digital Romanticism

Below are the collection of Ovids. OVIDS are iPhone photographs capturing the play of natural light on transparent cloth materials covering a window; the shadowy, abstract shapes that form momentarily on an ordinary linen blind or a curtain. They were born out of the pandemic, of the first COVID. 

If you are interested in purchasing a print please get in touch for further details here.

  • Giclée print on 300gsm smooth cotton art

    Edition of 101

    8.6.2021

    The calm is out there, it really is. For International Mental Health Day, October 30, 2021

    OVIDS #14

  • Giclée print on Hahnemühle 290gsm Hemp paper

    Edition of 25

    12.6.2020

    On a clear day, he said, you can see whatever. Just sit down and eat she replied, I think I can hear melody OVIDS #26

  • Giclée print on 300gsm smooth cotton art

    Edition of 101

    7.9.2021

    Someone once said that all western philosophy is a footnote to Plato and, personally, I adore a good footnote.

    OVIDS #9

  • Giclée print on 300gsm smooth cotton art

    Edition of 101

    27.7.2021

    I came after Raymond Chandler to Dashiell Hammett, and the Simple Art of Bad Politics

    OVIDS #10

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  • Direct print on Aluminium Dibond

    Edition of 3

    4.9.2021

    Can’t Buy a Thrill was a school hymnal in 1970s’ South London. And that East River view always leaves me reeling.

    OVIDS #7

  • Giclée print on 300gsm smooth cotton art

    Edition of 101

    4.8.2021.

    For Siberian Aleksander who explained exactly what I’ve been doing all this time: that the grass is always greener on the other side. After Nicholas Poussin, whose hilly backgrounds have always haunted me.

    OVIDS #12

  • Giclée print on 300gsm smooth cotton art

    Edition of 25

    7.6.2021 For all Debeljaks, who remind me always of culture and concrete, and a Slovene sense of amused revolution

    OVIDS #15

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  • Giclée print on 300gsm smooth cotton art

    Edition of 25

    30.5.2021

    On a warm spring day, she looked from her deck across the LA skyline, telling guests she would never leave her perfect home.

    OVIDS #24

  • Giclée print on Hahnemühle 290gsm Hemp paper

    Edition of 25

    7.9.2021

    Looking out onto the marshlands of her estate she said: you can’t outsource ethics to an adviser

    OVIDS #32

  • Giclée print on 300gsm smooth cotton art

    Edition of 101

    15.6.2021

    Not even the spy who loved me could resist the ancient wit and power of the pyramids at Giza during a lively son et lumière

    OVIDS #8

  • (Inspired by Maria Stepanova & Eugene Ostashevsky’s paraphrases of Ovid in exile, and made upstairs at the Sir John Soane Museum, London)

    Giclée print on Hahnemühle 290gsm Hemp paper

    Edition of 25

    12.3.2022

    Of course you don’t understand, she said, what have you lost? A lie about your past, a memory of a memory of commanding the waves?

    OVIDS#31